KEITH EDMIER
Born in Chicago, Illinois, 1967
Lives and works in New York
EDUCATION
California Institute of the Arts, Valencia, 1986
SOLO EXHIBITIONS
2008
Keith Edmier: Episode 1, University Art Museum, University at Albany, New York (cat.)
Keith Edmier, Friedrich Petzel Gallery, New York
Keith Edmier, Friedrich Petzel Gallery, New York
2007
Keith Edmier: 1991-2007, CCS Bard College, Annandale-on-Hudson, New York (cat.)
2005
Keith Edmier: Piano Legs I-III, Henry Art Gallery, Seattle
The Douglas Hyde Gallery, Trinity College, Dublin
Frank Veteran, 1980, Galerie Paul Andriesse, Amsterdam (cat.)
2004
Friedrich Petzel Gallery, New York
2003
Keith Edmier and Farrah Fawcett, Andy Warhol Museum, Pittsburg
Keith Edmier, Contemporary Art Museum, University of South Florida
2002
Keith Edmier and Farrah Fawcett, Los Angeles County Museum of Art, Los Angeles (cat.)
2000
Neugerriemschneider, Berlin
1998
The Douglas Hyde Gallery, Trinity College, Dublin (cat.)
Metro Pictures, New York
Sadie Coles HQ, London
Friedrich Petzel Gallery, Basel Statements
1997
University of South Florida Art Museum, Tampa (cat.)
Galerie Paul Andriesse, Amsterdam
1995
Friedrich Petzel Gallery, New York
Neugerriemschneider Gallery, Berlin
1993
Petzel / Borgmann Gallery, New York
GROUP EXHIBITIONS
2012
Things Not Seen Before: A Tribute to John Cage , curated by Jade Dellinger, Tempus Projects, Tampa, Florida
Lifelike, curated by Siri Engberg , Walker Art Center, Minneapolis; New Orleans Museum of Art;
Museum of Contemporary Art, San Diego; Blanton Museum of Art, University of Texas at Austin (cat.)
2011
Skulptur I Pilane 2011, Pilane Tjorn Sweden (cat.)
2010
Stop Motion ( collaboration with Allan McCollum), Friedrich Petzel Gallery, New York
Physical Geology/Corn Rocks/A Brief History of the Earth, organized by Karen Holmberg, Brown University, Providence
2009
Interim in Three Rounds, Round 2, curated by Jason Murison, Friedrich Petzel Gallery, New York
This is Sculpture: Sculpture Remixed, curated by Wayne Hemingway & Son, Tate Liverpool, Liverpool
The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York
Slough, curated by Steve DiBenedetto, David Nolan Gallery, New York
Flower Power, curated by Andrea Busto, Villa Giulia, Verbania, Italy (cat.)
Texas National 2009, The Cole Art Center, Nacogdoches, Texas (cat.)
2008
Photographic Works, Cohan and Leslie Gallery, New York
AGENCY: Art and Advertising, McDonough Museum of Art, Youngstown State University, Youngstown, Ohio (cat.)
The Fifth Annual Hamptons Cottages & Gardens Idea House, The Sunset Hill House, Sagaponack, NY
2007
Sculptors Drawing, Aspen Art Museum, Aspen (cat.)
Surrealism and Beyond, Israel Museum, Jerusalem
UBS Openings: Drawings From The UBS Art Collection, Tate Modern, London (cat.)
Celebrity, Scottsdale Museum of Contemporary Art, Scottsdale (cat.)
Into Me / Out of Me, curated by Klaus Biesenbach, KW Institute for Contemporary Art, Berlin; Museo d’Arte Contemporanea, Rome (cat.)
2006
Contemporary Sculpture, Zwirner & Wirth, New York (cat.)
Into Me/ Out of Me, curated by Klaus Biesenbach, P.S. 1 – MoMa, New York; KW Institute for Contemporary Art, Berlin (cat.)
Maquette to Monument, Foundry Gallery, Walla Walla
2005
Child’s Play, Tate Liverpool, Liverpool
Figure It Out, Hudson Valley Center for Contemporary Art, Peekskill
Present Perfect, Friedrich Petzel Gallery, New York
Sad Songs, University Galleries, Illinois State University, Normal (cat.)
Short Stories: Collections, Henry Art Gallery, Seattle
2004
Precarious Sculpture, Kunsthalle Vienna (cat.)
The Flower as Image – From Monet to Jeff Koons, The Louisiana Museum, Copenhagen; Fondation Beyeler, Basel (cat.)
Contested Fields: Identity in Sports and Spectacle, Des Moines Art Center, Des Moines (cat.)
It’s All An Illusion, Migros Museum für Gegenwarstkusnt, Zurich
Mike Kelley - The Uncanny, Tate Liverpool, Liverpool (cat.)
Troy Brauntuch, Keith Edmier, Richard Phillips, Friedrich Petzel Gallery, New York
2003
Unnaturally, Contemporary Art Museum, University of South Florida, Tampa; Fisher Gallery, University of Southern California, Los Angeles; Regina A. Quick center for the Arts, Saint Bonaventure University, NY; Copia: The American Center for Wine, Foods and the Arts, Napa; Lowe Art Museum, University of Miami, Coral Gables (cat.)
Flower Power, Palais des Beaux-Arts, Lille (cat.)
Family Ties – A Contemporary Perspective, Peabody Essex Museum, Massachussetts (cat.)
The Summer of 2003, Galerie Paul Andriesse, Amsterdam
War: What is it Good For, Museum of Contemporary Art, Chicago
2002
My Modern Summer, Galerie Paul Andriesse, Amsterdam
American Standard, (Para) Normality and Everyday Life, organized by Gregory Crewdson, Barbara Gladstone Gallery, New York (cat.)
Whitney Biennial, Whitney Museum of American Art, New York (cat.)
2001
Das gute Leben, Galerie Gebr. Lehmann, Dresden
Casino 2001: 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and Bijloke, Gent (cat.)
The Americans, Barbican Gallery, London (cat)
Camera Works: The Photographic Impulse in Contemporary Art, Marianne Boesky Gallery, New York
Arte Contemporáneo Internacional, Museo de Arte Moderno, Mexico City
2000
Friedrich Petzel Gallery, New York
Presumed Innocent, Musee d’art contemporain de Bordeaux, Bordeaux, curated by Marie-Laure Bernadac (cat.)
Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago, curated by Francesco Bonami
Fact/Fiction: Contemporary Art That Walks the Line, San Francisco Museum of Modern Art, San Francisco
Greater New York, P.S. 1 Contemporary Art Center, New York (cat.)
Invitational Exhibition of Painting and Sculpture, American Academy of Arts and Letters, New York
Barbara Gladstone Gallery, New York (cat.)
Keith Edmier, Ricky Swallow, Erick Swenson. Andrea Rosen Gallery, New York
Potent Present: Selections from the Vicki and Kent Logan Collection, Logan Galleries, California College of Arts and Crafts, San Francisco, CA (cat.)
1999
Abracadabra, Tate Gallery, London (cat.)
WILDFlowers, Katonah Museum of Art, Katonah, NY
Galerie Paul Andriesse, Amsterdam
Sliding Scale, Southeastern Center for Contemporary Art, Winston-Salem, curated by Ron Platt (cat.)
Xn 99, Espace des Arts, Chalons-sur-Saone
1998
Body Double, Winston Wachter Fine Art, New York
Spectacular Optical. Thread Waxing Space, New York; Museum of Contemporary Art, North Miami
Hungry Ghosts, Douglas Hyde Gallery, Dublin (cat.)
1997
The Name of the Place, Laurie Simmons, Curator. Casey Kaplan Gallery, New York
Gothic, Institute of Contemporary Art, Boston, traveling to Portland Museum of Art and Site Santa Fe, Santa Fe (cat).
1996
Kingdom of Flora, Shoshana Wayne Gallery, Santa Monica
Mutate/Loving the New Flesh, Lauren Wittels Gallery, New York
1995
filmcuts, Neugerriemschneider, Berlin (video)
Human/Nature, The New Museum of Contemporary Art, New York
Narcissistic Disturbance, Otis College of Art and Design, Otis Gallery, Los Angeles, curated by Michael Cohen (cat.)
1994
Notational Photographs, Metro Pictures / Petzel Borgmann Gallery, New York
Drawings on Sculptures, Cohen Gallery, New York
Untitled Groupshow, Metro Pictures, New York
Sammlung Volkmann, Berlin (cat.)
Museum auf Zeit, slide projections at Museum Fridericianum, Kassel
1993
Ghost-Limb, Basilico Fine Arts, New York
Andrea Rosen Gallery, New York
Displace, Cohen Gallery, New York
BIBLIOGRAPHY
2011
Hagstrom, Johanna, Pilane fyller fem med lekfullhet, Goteborgs-Posten, June 1, 2011 pp. 88-89
Reed, Stephanie, Sculpture at Pilane 2011-interview with renowned American sculptor, Keith Edmier,
explorewestsweden.com , June 15, 2011 (ill.)
2010
Olsen, Kevin, Summertime in the Art Garden, The Regional News, June 17, 2010, pp. 1,4 (ill.)
Halle, Howard, Chelsea’s big openings, Time Out New York, September 9-15, 2010 p. 56 (ill.)
The Artists’ Artist-Best of 2010, Artforum, December 2010 p. 92 (ill.)
2009
Donelson, Sophie, Launch Pads, Manhattan Magazine, March-April 2009, p. 113 (ill.)
Saltz, Jerry, Slough, New York Magazine, June 29-July 6, 2009, p. 127
Slough, The New Yorker, July 27, 2009, p. 11
Toal, Drew, The Audio Show, Time Out New York, August 6-12, 2009, p. 43 (ill.)
2008
Camnitzer, Luis, Keith Edmier: A Statistical Biography, Art Nexus, No. 70, Volume 7, 2008, pp. 110-115 (ill.)
Swensen, Kirsten, Keith Edmier: Friedrich Petzel, Art in America, November 2008, pp. 182-183 (ill.)
Renzi, Jen, Double Take, Interior Design, November 2008, p. 215 (ill.)
Kane, Tim, A Theater of absurd in brilliant color at UAlbany, Times Union, August 10, 2008, pp. H1 & H3 (ill.)
Wasserman, Nadine, Night & Day, Metroland, July 10, 2008, p. 36 (ill.)
Pearse, Emma, Artist Keith Edmier Gloriously Re-creates Kitchen of His Youth, NYmag.com, April 10, 2008 (ill.)
Galleries-Chelsea: Keith Edmier, The New Yorker, April 7, 2008, p.14
Scheidemann, Christian, Keith Edmier. The Original and it’s Digestion, Parkett, No. 81, 2008, p. 15- 24 (ill.)
Wie bei Muttern, Monopol, January 2008, pp. 16-17 (ill.)
Kilston, Lyra, ‘Keith Edmier 1991-2007’ at the Center for Curatorial Studies at Bard College, Afterall.org, January 17, 2008, (ill.)
Cotter, Holland, Personal History, Captured in Plastic, The New York Times, January 11, 2008, pp. E33-34 (ill.)
Schmadeke, Steve, Childhood Home Is Where The Art Is, Chicago Tribune, January 24, 2008, front page and p.19 (ill.)
2007
Vanderbilt, Tom, Keith Edmier, 1991-2007, Artforum Best of 2007, December 2007, p. 340-341 (ill.)
Saltz, Jerry, Best of Art 2007, New York Magazine, December 17, 2007 pp. 74-75
Fortmeyer, Russell, Open House, Architectural Record, December 2007, pp. 47-48 (ill.)
Genocchio, Benjamin, Don’t Let the Titles Fool You, The New York Times, November 18, 2007, p. 12 (ill.)
Wereszynski Murray, Kathleen, Warning: Exhibit May Hurt Your Eyes, Poughkeepsie Journal, Sunday Life Section, November 11, 2007 pp. 2 & 8 (ill.)
Brand new, second hand: KEITH EDMIER, The American artist recreates the house of his childhood, Dazed & Confused, November 2007, pg. 199 (ill.)
Zucherman Jacobson, Heidi, What Comes Before, Heidi Zuckerman Jacobson discusses the Aspen
Art Museum’s upcoming show, Sculptures Drawing, The Culture Aspen, Midsummer 200, p. 52-54 (ill.)
Wilson, Beth E., Star Power, Chronogram, October 24, 2007 (ill.)
Wereszynski Murray, Kathleen, Exhibit Exposes Memory of Pop Culture Icons and Personal Experience, Poughkeepsie Journal, October 20, 2007 (ill.)
Provision, Modern Painters, October 2007, p. 33 (ill.)
Bayliss, Sarah H., That ‘70s Show, ArtNews, October 2007, p. 66 (ill.)
Bollen, Christopher, A la Recherche du Ranch Perdu, The New York Times Style Magazine, Fall 2007, pp. 114-118 (ill.)
Richard, Frances, Keith Edmier, Artforum, September 2007, p. 158 (ill.)
Specialten: DVD Magazine, Issue no. 14, 2007 (cover, ill.)
“Keith Edmier at The Center for Curatorial Studies”, Art Daily online, July 19, 2007 (ill.)
Biesenbach, Klaus, Into Me / Out of Me, exhibition catalogue, P.S. 1, New York, 2007, p. 53, 90, 97, 206 (ill.)
2006
Into Me/Out of Me, The Week, September 15, 2006 (ill.)
Dellinger, Jade, Keith Edmier, Amsterdam, Art Papers, July/August 2006, p. 52
Sad Songs, University Gallerieis, Illinois State University, March - April, 2006 pp. 13-18
2005
Abrahams, Frits, Roem, NRC Handelsblad, December 1, 2005
Scapelliti, Christopher, December 8, 1980, 11:15 PM, Guitar World, December 2005, pp. 79-81
Renzi, Jen, The Heart of the Matter, Interior Design, December 2005 p. 96 (ill.)
Keijer, Kees, Ode aan chirurg van John Lennon, Het Parool, November 22, 2005
Moderne relieken, NRC Handelsblad, November 10, 2005
Art: Keith Edmier, Amsterdam Weekly, October 20 – 26, 2005
Nicola Tyson, Keith Edmier, The Dubliner, July 15, 2005
Genocchio, Benjamin, Images of Reality, In Three Dimensions, New York Times, June 2, 2005
McKeith, Eimar, Gallery Guide, The Event Guide, June 15 – 28, p. 11
Zita, Carmen, Art, Exit, Spring/Summer 2005, p.26 (ill.)
Vincent, Steven, Keith Edmier: Friedrich Petzel Gallery, Art in America, May 2005, pp.160-161 (ill)
Frankel, David, Keith Edmier, Artforum, March 2005, p. 235 (ill.)
Renzi, Jen, Going with the Flow, Interior Design, March 2005, pp. 106-108 9 (ill.)
2004
Nadelman, Cynthia, Middle-Aged Gods and Giant Babies, Artnews, December 2004, p. 116 – 121, p. 118 (ill.)
Keith Edmier: New Sculpture, Time Out New York, November 11–17, 2004, p. 70
The Flower as Image, Louisiana Museum of Modern Art exhibition catalog, 2004-2005, p.91
Contested Fields (curated by Chris Gilbert), Des Moines Art Center exhibition catalogue, 2004-2005, p. 56
Davis, Nicole, The New York List, Artnet.com, December 17, 2004
Keith Edmier, The New Yorker, December 20 + 27, 2004, p. 24
Keith Edmier, Village Voice, November 24-30, 2004, p. 59
Laroca, Amy, A Museum of Her Own, New York, pp. 64-69, p. 68, 69 (ill.)
Kelley, Mike, The Uncanny, Tate Liverpool, 2004, p. 159
Grynsztejn, Madeleine, (ed) Supernova: Art of the 1990’s from the Logan Collection, San Fransisco Museum of Modern Art Exhibition Catalogue, 2003, pp. 93, 168
Weinberg, Michelle, Get Unreal, Miami Newtimes, October 21-27, 2004, p. 52.
Skulptur, Kunsthalle Wien Exhibition Catalog, October 2004-February, 2005, pp.112-115
Del Drago, Elena, Immagini dal pantheon privato di Keith Edmier, Il Manifesto, September 9, 2004, p.14
Cohen, David, Public Art, Off the Plinth, The New York Sun online, September 2, 2004
Trembley, Nicolas, Muse et Pygmalion, Numéro, no. 52, April 2004, p. 57
Steinemann/Diehr (ed), Art 35 Basel, catalogue for Basel Art Fair 2004, pp. 408
Taylor, Rachel, Keith Edmier, Contemporary, no. 64, cover, pp. 30 – 33 (ill.)
Eccles, Tom, Keith Edmier: Emil Dobbelstein and Henry J. Drope, Plop, Recent Projects of the Public Art Fund, 2004, pp. 86-89
Mike Kelley - The Uncanny, Tate Liverpool Exhibitions and Events pamphlet, Jan - March 2004, p. 4
Troy Brauntuch, Keith Edmier and Richard Phillips, Time Out New York, February 5-12, 2004, p. 59
Pagel, David, Art Review: Reality and Irony Collide, Los Angeles Times, January 2, 2004
2003
Kiderra, Ingra, It’s a Focus on the Faux in This New Exhibition, Chronicle, November 17, 2003.
Ebony, David, Jane Harris et.al., Curve - The Female Nude Now, Universe Publishing, 2003, pp. 84f.
Winters, Rebecca, Art of the Farrah’s, Time, July 21, 2003
Uricchio, Marylynn, Summer of Andy, Pittsburgh Post-Gazette, July 14, 2003
Thomas, Mary, Eros and Art: Attraction to Farrah Fawcett Leads to an Exhibit, Pittsburgh Post-Gazette, July 12, 2003
Fuchs, Derek J., Artist Shares Dream and Modeling Duty with Farrah Fawcett, Pittsburg Tribune-Review, July 11, 2003
Gentleman Prefer Blondes, Artjuxtapoz, May – June 2003, p. 6 (ill.)
Garnett, Natasha, An Angel at My Studio, Tatler, April 2003, pp. 108-109 (ill.)
Dailey, Meghan, ‘80s Again, Artforum, April 2003, p. 54
Keith Edmier, Sculpture, April 2003, p. 26 (ill.)
Colman, David, Instrument of a Man’s Seduction by Hair, The New York Times,March 23, 2003, p. 9
Bennett, Lennie, Fooling around with Mother Nature, St. Petersburg Times, January 26, 2003
2002
Keith and Farrah, Flash Art, November – December 2002, p. 42
Rapkin, Mickey, BodyWork, Details, December 2002, p. 28 (ill.)
Cooper, Bernard, In the Raw, Los Angeles Magazine, December 2002, pp. 124-128 (ill.)
Kaplan, Bruce Eric, Nudes Ascending, LA Weekly, December 6 – 12, 2002, p. 12
From Poster Girl to Muse, People, December 2, 2002, p. 21 (ill.)
Knight, Christopher, Like, Conceptual, dude, Los Angeles Times, November 25, 2002, p. 3 (ill.)
Lord, M.G., A Sculptor and His Famous Muse Make Art Together, The New York Times, November 17, 2002, pp. 33-34
Reynold, Christopher, Poster to Pedestal, Los Angeles Times, November 16, 2002
Angelic News, on: # 1 Charlie’s Angels Fan Site, November 2002
Rosenberg, Jeremy, Fawcett of Inspiration, ARTnews, vol.101, no.10, November, 2002, p. 47
Ed. Cattelan, Maurizio, Bettina Funcke, Massimiliano Gioni & Ali Subotnick, Charley 01, 2002, p. 263
Johnson, Richard, with Paula Froelich and Chris Wilson, Nudes Worthy, The New York Post, November 1, 2002, p. 6
Artnet News: Farrah as Art Object, artnet.com, October 10, 2002
Hainley, Bruce, Pop Quiz, Frieze, Issue 70, October, 2002, pp. 64-65
Myers, Julian, American Standard, Frieze, Issue 70, October, 2002, pp. 86-87
LACMA: Press Release, Contemporary Projects 7: Keith Edmier and Farrah Fawcett 2000, September 2002
Conner, Jill, Panoramical America, artnet.com Magazine, August 26, 2002
Uta Grosenick and Burkhard Riemschneider (ed.), Art Now, c. Taschen, 2002, pp. 128-131
American Standard, (Para) Normality and Everyday Life, Barbara Gladstone Gallery Summer, 2002, exhibition catalogue
Correia, Luis, Genetic Engineering between Fantasy and Reality, Credit Suisse What Matters, Nr. 1, 2002
Correia, Luis, Gentechnologie – zwischen Fantasie und Wirklichkeit, Credit Suisse Bulletin, Nr. 3 June/July, 2002
Princenthal, Nancy Whither the Whitney Biennial, Art in America, June, 2002, pp. 49-53
Lütticken, Sven, Casino 2001, Artforum, No. 8, April, 2002, p. 145
ed. Tom Eccles, In Process, Winter/Spring, 2002
Aliaga, Juan Vicente, Hortus Conclusus, Lapiz, No. 178, 2002
Cotter, Holland, Spiritual America, From Ecstatic to Transcendent, The New York Times, March 8, 2002, pp. E35, 37
Schoeneman, Deborah, Gallery on Grass, New York Post, March 7, 2002, p. 40
McGee, Celia, A breath of fresh air, Daily News, March 3, 2002, p. 15 (ill.)
Ed. Vendrame, Simona News & Around, Tema Celeste, no. 90, March/April 2002, p. 105
Vogel, Carol, Why Is There a Steel Tree in Central Park? Well, Times have Changed, The New York Times, February 28, 2002, pp. B1, B6
Tönnesmann, Katja, Wo ist nur der Boxer geblieben, Frankfurter Allgemeine Zeitung, Jan. 3, 2002, Nr. 2, p. 41
Danto, Arthur C., Lawrence Rinder, & Simona Vendrame, New York, November 8, 2001: A Conversation, Tema Celeste, no. 89, January- February, 2002, pp. 34-39
Gellatly, Andrew, The Americans, New Art, Frieze, no. 64, January-February, 2002, pp. 89, 99-100
Eichler, Dominic, Casino 2001, Frieze, no. 64, January-February, 2002, pp. 89, 97-98
Léith, Caoimhín Mac Giolla, the americans. new Art, Modern Painters, Winter, vol. 14, no. 4, 2001, pp. 100-102 (ill.)
2001
Sharp, Amanda, The Americans, Arena+ Homme, No. 16, pp. Contents, 330, 333, 335
Vogel, Carol, A Homegrown Biennial, The New York Times, November 16, 2001, p. E30
Thorburn, Hedvig, Födda: konstnärer från USA, Göteborgs Posten, November 15, 2001
Hackworth, Nick, Puddles, Plants and one small joy, Evening Standard, November 6,2001
Gayford, Martin, So who are the future stars?, The Daily Telegraph, October 31, 2001, p.18
Güner Fisun, Art Review, Metro, October 26, 2001
An exhibition…, Design Week, October 25, 2001
London Life, What’s On, October 24, 2001
O’Connell, Alex, All the young dudes, The Times, October 24, 2001, p.15
Birnbaum, Daniel, Previews, Artforum, September, 2001, p. 92
Sumpter, Helen, Art of The States, Evening Standard, September 10, 2001, p. 51
Herbert, Martin, States of the Art, Art Review, Fall 2001, pp. 50-53
Ed. Burkhard Riemschneider and Uta Grosenick, Icons, Art Now, Taschen, 2001
Casino 2001:1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and Bijloke, Gent. Exhibition catalogue.
the americans. new art, Exhibition Catalogue, Barbican Centre, London: Booth-Clibburn Editions, 2001
2000
Anton, Saul, Keith Edmier, Time Out New York, January 20-27, p. 56
Johnson, Ken, Keith Edmier and Richard Phillips, The New York Times, January 21, 2000
Jones, Ronald, Keith Edmier and Richard Phillips, Frieze, Issue 52. p. 98
Korot, Joyce, Keith Edmier and Richard Phillips, NY Arts, Vol. 5 No. 2, p. 89
Mogenson, Else, Young New York Art, Hrymfaxe, p. 16 (Danish text)
Hong, Catherine, United Artists, Harpers Bazaar, May 2000, pp. 132-133
Richard, Frances, Keith Edmier/Richard Phillips, Artforum, April. p. 143
Keith Edmier and Richard Phillips, The Village Voice, February 1, 2000, p. 87
CCAC Institute (eds.), Potent/Present: Selections from the Vicki and Kent Logan Collection; Exhibition catalogue. CCAC Institute, Oakland
Keith Edmier/Richard Phillips, The New Yorker Magazine, January 31, p. 19
Greater New York. Exhibition Catalogue. P.S. 1 Center for Contemporary Art, New York, p. 19
Presumed Innocent: The Album. Exhibition catalogue. Cap Musee d’art contemporain, Bordeaux; Drawings 2000 at Barbara Gladstone Gallery, New York
1999
Catherine Grenier and Catherine Kinley (eds.), Abracadabra, London, p. 42-45
Burkhard Riemschneider, Uta Grosenick Taschen (eds.), Art at the Turn of the Millennium, p. 138-141
Bishop, Claire, Abracadabra, Flash Art, November-December 1999, p. 75
Cooper, Emmanuel, Ironic Frolics, The Tribune, September 3, 1999 (England)
Hunt, Ian, Ever Felt Had?, Art Monthly, September 1999, pp. 7 – 10 (ill.)
Cork, Richard, Gonna Reach Out and Grab Ya, The Times, Wednesday, July 14
Dutt, Robin, Drop the Dead Horsey. What’s On, August 11, p. 8
Johnston, Rachel Campbell, French Gilt on Art’s Lilies, The Times, Tuesday, July 6
Kent, Sarah, Spellbound, Time Out London, July 28 – August 4, 1999, p. 51
Searle, Adrian, Cheap Tricks, Bad Jokes, Black Magic, The Guardian, July 13
Giant Water Lilies and a Stuffed Horse: Tate’s New Sensations, The Independent, July 13
Touching on Child’s Play, TLS, July 30
Now you see them..., The Independent Magazine, July 24, p. 30
Scotland on Sunday, July 11
1998
Foss, Paul, Keith Edmier, art/text art/music, November 1998 – January 1999, pp. 85-86 (ill.)
Spectacular Optical, Flash Art, November/December, p. 48
Hart, Jane, Oh Sweet Youth, Zingmagazine, Vol. 2, Winter 1998
Ferguson, Ciara, Recalling the ‘70’s in America, The Sunday Independent, (Dublin), August 16, 1998
Harris, Mark, Keith Edmier, Art Monthly, June 1998, pp. 30-31 (ill.)
Herbert, Martin, Keith Edmier, Time Out London, June
Avgikos, Jan, The Shape of Art at the End of the Century, Sculpture, Vol. 17 no. 4, April, pp. 46-53 (ill.)
Caoimhin, Mac Giolla Leith, Hungry Ghosts, Douglas Hyde Gallery, Dublin
Dunne, Aidan, The Shock of the Familiar, The Irish Times, August 12
Keith Edmier, The Sunday Times, (Dublin) September 6
The Dublin Event Guide, August 12-25
Hutchinson, John, Keith Edmier, Douglas Hyde Gallery, Dublin, Ireland, 1998 (ex cat)
Greene, David A., Keith Edmier, Frieze, May 1998, p. 80-81
Levin, Kim, Voice Choices: Keith Edmier, The Village Voice, February 24, Vol. XLIII, No.8, p. 78
Schmerler, Sarah, Keith Edmier, Time Out New York, March 5-12, p. 46
Smith, Roberta, The New York Times, Friday, February 27. p. E38
Taplin, Robert, Art in America, September 1998. p. 125-126
Debord, Matthew, The Evil That Men Do, Frieze, March/April. p. 58-59
Duehr, Gary, Gothic is Spooky, The TAB, May 6-12
Grunenberg, Christoph and Patrick McGrath, eds. Gothiic. Boston: Institute of Contemporary Art
Long, Drew, Sculpting a Hero, The Oracle, University of South Florida, Jan. 13
Marger, Mary-Ann, An Artistic Leap with Evel Knievel, The Times, Tampa, January 17
Milani, Joanne, Evil Eye, The Tampa Tribune, January 17, Tampa
1997
Peeters, Mark, Keith Edmier, NRC-Handelsblad, Saturday, April 12, Amsterdam, Holland
Van den Boogerd, Dominic, Sexy Little Farrah, Metropolis M, Number 3, June/July 1997, pp. 64- 65
Frankel, David, The Name of the Place: Casey Kaplan, Artforum, May 1997, p. 104
Wakefield, Neville, Keith Edmier. University of South Florida Art Museum, Tampa (ex cat.)
1996
Bloom, Amy, A Face in the Crowd, Vogue, December, pp. 292-297
Schmerler, Sarah, Mutate/Loving the New Flesh, Time Out New York, September 11-18, 1996, p. 34
Wegee. Le Millennium, no. 16, Tokyo, Japan
1995
Berg, Ronald, Traumatisches Erlebnis. Keith Edmier in der Galerie
Cohen, Michael, Lin, Catherine, Rickels, Laurence A., eds. Narcissistic Disturbance. Otis College of Art and Design, Otis Gallery, Los Angeles (ex cat.)
Duncan, Michael, New Art Examiner, Summer, p. 48
Galleries-Downtown; Keith Edmier, The New Yorker, October 9, p. 19
Greene, David A., Narcissistic Disturbance, Art Issues, March/April
Levin, Kim, Voice Choices: Keith Edmier, The Village Voice, October 3, p. 8
Malanowski, Jamie, Artistic License, Swing, May. p. 69
Neuger/Riemschneider, Der Tagesspiegel, August
Wakefield, Neville, Keith Edmier, Art Forum, December, p. 89
Weill, Benjamin, Flash Art, October, p. 79
Frankel, David, Keith Edmier: Friedrich Petzel Gallery, ArtForum, March 2005, p. 235
PUBLIC PROJECTS
PURPLE CONEFLOWER, A PROJECT FOR THE CITY OF PALOS HEIGHTS, ILLINOIS, 2010
THE PUBLIC ART FUND- EMIL DOBBELSTEIN AND HENRY J. DROPE,1944
DORIS C. FREEDMAN PLAZA, CENTRAL PARK MANHATTAN, 2002
PUBLIC COLLECTIONS
San Francisco Museum of Modern Art, San Francisco
The Tate Gallery, London
University of South Florida Contemporary Art Museum, Tampa
Henry Art Gallery, Seattle, University of Washington
Israel Museum, Israel
National Gallery of Art, Washington D.C.
GRANTS/AWARDS
The Louis Comfort Tiffany Foundation 2001 Biennial Award
TEACHING EXPERIENCE
New York University, New York 2012
Syracuse University, New York 2010
The City College of New York, 2008
University of Nevada, Las Vegas, 2002
Columbia University, New York, 2000